Folkestone Triennial 2014: Day 2

Art lovers

After pinching a piece of toast from Chris's breakfast plate, we set off down the Zig Zag path in search of more art. I was expecting just a regular zig zag path, but what we got was a Victorian (built in 1921?) fantasy in Pulhamite artificial stone, which looked remarkably like bungeroosh. In one of the grottoes was Krijn de Koning's Dwelling, a sort of de Stijl construction in vibrant colours.

Krijn de Koning: Dwelling

Dotted about the descent there were also lots of playgrounds for children (and adults - see Flickr). At sea level and further west we found the Beach hut in the style of Nicholas Hawkesmoor by Pablo Bronstein, a fabulous steampunk lighthouse, but we were not allowed inside.

Pablo Bronstein: Beach hut in the style of Nicholas Hawksmoor

Then it was a long long walk to the harbour (they need a Dotto train!), passing various remnants of past Triennials. To recover, I popped into a dark room to watch Look out! by the Folkestone Futures Choir, a mix of Parkinsons sufferers, OAPs and children voicing their complains to 'the council' among others. The rest went to explore the station and lighthouse, while I had a wander up the Old High Street to see the other Andy Goldsworthy place Clay steps, clay window, and a wonderful shop called Rennies where I bought a checklist of Picture Puffin books.

Andy Goldworthy:  Clay steps

After a quick look at Emma Hart's Giving it all that (Oi! Mate!), the rest headed North; I headed to the nearest bus stop heading for Dover, from which I was treated to fabulous views of both towns. Once there, I hopped on to a bus to Deal, where I admired the pier, had a coffee and teacake at King's Coffee House and bought a book from Oxfam.

Deal pier

Back in Folkestone I just had time to have a go on the Leas Lift (80p down and another 80p back up again) - one of the few water-powered funiculars left in Britain - before joining the others at the Lifeboat Inn for a couple of pints in the garden. We got a cab back to the hotel and ate out at Hop Kweng, a Chinese laid out in booths, patronised by Bob Monkhouse and Jim Davidson. The food, and company, was excellent. Over dinner we'd been discussing magic shows, particularly Paul Daniel's trick of making a man stick to his chair. I said it must have been a willing assistant of some sort. When the fortune cookies arrived, mine said 'Disbelief destroys the magic'. Spooky! I went to bed while the rest crossed over to the Grand hoping to see a Victorian magic show, but it wasn't...

The Leas Cliff Railway

The triennial is on until 2 November.

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