Archetype is part of Architecture week: It was a serendipitous meeting while sending off the G8 cyclists. Jeremy Radvan was walking his Dulux dog on the prom and mentioned he was in a performance that night down the sewers. How could I resist! So at 7pm I turned up with sensible shoes and was led though a door under the Palace Pier and into the Victorian sewers (with hard hat and rubber gloves) to see 'Vestige': Rajyashree Ramamurthi emerging from the 8ft tunnel followed by a clarinetist and being drawn on live by Jeremy with Wacom.
Outside, bumped into Guardian photographer Roger Bamber, who very kindly took a photo for my publishers on my camera. He was part of a Sarah Heyworth gravy train that also included Foz? (from David Devant and His Spirit Wife) and Mrs Foz? (or should I say Max and Mr Max). Over to Frank-in-Steine for a pricey cappuccino (£1.70 in paper cup) and another Archetype performance, this time by Mim (Miriam King) and bloke on roof, called 'Specimim'. A quick visit to the Unitarian church, wine cup in hand to don spirit spex for Liz Aggiss's 'Men in the wall' 3D video starring Jedi Bassan, then back to the grassy Steine for band and chat with Foz? about ukuleles – top night out! A big thank you to the lovely Lisa O'Connor for my badge!
More pix on Flickr.
18.6.05
Archetype
17.6.05
g8 bike ride
Got up early this morning to give the intrepid people cycling to the G8 protest a send off from the Palace Pier. Cycled as far as St Peter's church and left them heading for Ditchling Beacon.
Brighton critical mass
I'm a big fan of The Bill and would happily go for a pint with Reg or Tony Stamp, but for a middle-class Independent-reading cyclist like me it comes as a bit of a shock to come face-to-face with real policepersons at work. After a pleasant ride around town with a few friends (a critical mass event actually), we were stopped and told off for causing an obstruction to traffic just as we were all about to go home. One poor chap was arrested, handcuffed and taken to the nick. We were all asked for our names, birthdays and addresses on pain of being arrested under Section 25 of PACE or so Sarge 728 told me! Why weren't they having a word with those impatient van and car drivers, who are normally happy to sit in traffic jams chatting on their mobile phones, driven to making wreckless and dangerous manoeuvres at the sight of 20 or so cyclists using the road - or perhaps it was the tantalising glipse of the open road ahead? More photos on Flickr.
Afterwards, popped along to The Bugle to see (North) South African legend Solani S Mthombeni play guitar and sing, accompanied by Risenga Makondo on drums. Foot-tappingly sublime.
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11.6.05
EDO demo
Today was a demo march against EDO, the local arms firm that make release mechanisms for bombs on planes. Not too many people there, considering it was a national demo. Loads of police tho, and there were one or two confrontations – under the station tunnel by the Prince Albert and also on Queens Road, where we were hemmed in by lines of police all round, but generally it was good natured and I was even asked by a very nice WPC outside the police station if I'd enjoyed myself! More photos on Flickr, tho it's not easy to take good photos of a demo, when you're in the middle of it and not allowed out!
Popped along later to the Phoenix to view an exhibition by Greg DaVille called Covers. People had been invited to re-create their favourite album covers – what a great idea – and some fab photos produced. Unfortunately today was the end-of-show wrap party. Loved the King Crimson one.
10.6.05
Wreckless Eric
After a quick PV (missed the wine!) in the old Argus basement - a sort of Brighton v. Worthing art show, with Worthing represented by RAG (Dan and Steve - love your work!) and Brighton by Contemporary Gallery (no website?), popped along to the Marlborough to see Wreckless Eric, supported by the very versatile Paul Stapleton and his other band Pog, Annalise playing a very cute heart-shaped lilac bass.
Eric was in fine form, just him and 3 guitars on the intimate (but hot under the lights) stage. The audience seemed to be mainly old men (myself included) and he was receptive to requests (except he refused do the Cliff Richard hit 'Broken Doll'), doing 'Joe Meek' straight after 'Reconnez Cherie'. For 'Whole Wide World' we had to wait for the end of the set, but in between we got an empassioned 'Same' and '33s + 45s'. And then there were the stories - about his crap French (denied later by his Mum who was also in the audience), the perils of playing on home turf (followed by 'Local'), singer/songwriters and lots lots more, usually accompanied by his trademark chug (but nothing about Elvis Costello this time!). A national treasure, can't wait for the sequel to 'A Dysfunctional Success'. More photos on Flickr.
(NB www.wrecklesseric.com doesn't seem to be working at the mo)
9.6.05
The Rutles 8 June 2005
There was already a queue at 7.15 last night when Nick and I arrived from The Angel on St Giles High Street (beer at £1.70 a pint - in London!). I'd picked up a Rutles DVD at Fopp for a fiver and the anticipation of the first night of the last London appearance of The Rutles was electric. We managed to get a table on the far side of the stage - Neil's set-up however was at the bar end and the grand piano was covered.
The first half of the Neil Innes double bill at the 100 Club was billed as 'with Friends', but Neil was All Alo-ho-ho All Alo-ho-ho-hone (except near the end when joined by Rutling Ken on 'Ego Warriors'). Where were they? He kicked off with 'Protest Song', followed by all the old favourites and a good portion of the new CD. Finale was 'The Philosophers Song' for the Monty Python fans.
For the second half, the stage was full of men in black: John Halsey (Barry) and JJ Jones on drums, Rutlin' Ken Thornton on lead guitar , Mickey Simmonds on keyboards and Mark Griffiths on bass. They started with 'Major Happy' and it was rocking and singing along from then on. I tried to keep a set list but, what with trying to take photos and getting carried along, it soon lapsed! They must have done 25 or so numbers by the time 'Shangri-la' and 'Get up and go' (appropriately) finished the set. First encore was a tribute to George Harrison with 'Isn't it a pity', followed by 'Back in '64', featuring Barry Wom on paper tearing. I can't even remember the second encore (too busy taking snaps) but it wasn't 'Love Life' despite the chanting from the delerious audience.
I was determined not to miss the encores like last year at the 100 Club when I had to run for the last sensible train - and I'll always regret leaving The Only Ones gig at the Lyceum back in the 80s before the end. So I managed to get the five past midnight train back to Brighton clutching my Legalise Tea mug (with tea bag!) and lots of happy memories of a fantastic gig. Is this really the end of the Rutles?
There are some more photos on Flickr.
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Hastings Pier and Anal Beard
| Hastings off-season, note funicular in distance |
| Hastings Pier |
| Anal Beard in concert |